| Term
|
Definition |
| Akadama (Aka
dama tsuchi) |
Classic Japanese
Bonsai soil. Simulates the volcanic material of Japan
and assists in establishing the water content of the
soil as it changes color as it dries out. It is very
porous with excellent moisture retention and drainage
characteristics. |
|
| Bankan |
A bonsai with a very coiled, curvy trunk, resembling
a snake. |
|
| Bon |
Ceramic container
or pot in which bonsai is planted. |
|
| Bonsai |
From the Japanese words, "bon" and "sai" meaning "pot"
and "plant." Bonsai, however is much more than simply
a pot in a plant. There are numerous styles of bonsai,
all which have different criteria for evaluation.
The goal of bonsai is to create the appearance of
great size and age. This is accomplished by create
a bonsai with strong rootage (nebari)
that extends in all directions, creating a sense of
stability, a large trunk which tapers as it goes upward,
a clear apex, and well formed and well placed branches.
These features all combine to create a careful blend
of symmetry, balance and proportion. It also must
be displayed in a pot which harmonizes well with the
plant material. |
|
| Bunjin (Bunjingi) |
"Literati Style". This style of bonsai is generally
unconventional, often breaking well established
rules. With uncharacteristically thin, often wildly
bent, contorted trunks and sparse foliage, these
tree give the appearance of having suffered greatly
in their environment, yet found a away to survive.
Many times the tree has approximately
two thirds of its trunk without any branches growing
to illustrate age and maturity.
The style's name refers to an artistic movement
(The Southern School of Chinese Landscape Painting)
which was carefree and unconventional. It was their
"search for freedom" which, as John Naka, explains
was "portrayed in the trees of their magnificent
landscape paintings" that gave rise to the inspiration
for the bunjin style. These trees are characterized
by their dynamism, artistry and sense of playfulness
and freedom. One of the basic styles.
|
|
| Chokkan |
The "formal upright" bonsai style. One of the basic
styles. Essential for this style is a straight trunk
with a naturally balanced symmetrical branch structure.
|
|
| Chumono |
Bonsai ranging between fifteen inches and three feet
in height. |
|
| Dai ki (Oya ki) |
The
parent plant. Parent tree. |
|
| Gi sei shi (GI sei eda) |
A branch left to grow only to promote the overall growth
of the tree before being transformed into a bonsai.
Also called "Sacrifice branch". |
|
| Gokan |
The "five-trunk" bonsai style. |
|
| Goro tsuchi |
The course Bonsai soil used at the bottom of the pot
providing good drainage and aeration. |
|
| Fukinagashi |
The "Windswept" bonsai style. A bonsai tree which gives
the appearance of being exposed to harsh winds for
prolonged periods, causing foliage to form in a windswept
pattern. One of the basic styles. |
|
| Han kengai |
The "Semi-cascade"
bonsai style. Simulates a tree
subject to harsh winds, where the branches and trunk
of a tree are swept to one side but not fully weeping.
Similar to, but not as dramatic as the Cascade
Style, with the lowest
extended branch first growing horizontal and then
cascading down at a slight angle. One of the basic
styles. |
|
| Hanamono |
Japanese term for trees which are known for producing
flowers, such as azalea, cherry, plum and flowering
quince. |
|
| Hoki dachi |
A "broom" style of bonsai. Usually featuring
a very straight trunk with symmetrical
branches that fan out from the top, forming a broom-like
(semicircular dome)
crown. Frequently seen on Chinese Elm and other finely
branched deciduous trees.
|
|
| Hon
bachi age |
A tree displayed in a high-class Bonsai dish for an exhibition. |
|
| Ichi no eda |
The first of lowest branch of a bonsai. |
|
| Ikada buki |
The "Raft" bonsai style. The plant is planted sideways
with some of the branches showing out of the soil.
These branches are arranged
in a group formation and trained vertically. They
become the future trees. Special form of the Yosu-Ue (wood)
style. |
|
| Ishi
tsuki (ishi duke) |
Bonsai which are trained to cling to a rock as part of
their styling. The "Root on Rock", "Clinging
to a Rock" or "Rock Grown" bonsai style. Composition
style.
|
|
| Jin (Eda-jin) |
One of the "dead
wood" techniques. A portion of a bonsai, often the top branch, which has been stripped
of its bark and cambium.
The intention is to give the tree an old and lightly
damaged look. Generally carved, jin give the impression of great age
when added to a tree. Often they are coated with
a mixture of lime
sulfur, which turns them white with time. Mostly seen on conifers.
(See also Shari, Sabamiki).
|
|
| Kabudachi
|
Bonsai style - "Clump".
More crowded in appearance than a group planting
as the trunks all grow from the same point on the
root mass.
|
|
| Kan rei sha |
Cloth used for frost protection in winter as well as
sun protection in summer. |
|
| Kann jou hakuhi |
The process of developing roots by peeling bark off
the circumference of a branch and covering it with
sphagnum moss. |
|
| Ka numa tsuchi |
Kanuma soil. High moisture retention and very good drainage. |
|
| Katade Mochi |
Bonsai between eight and fifteen inches in height. |
|
| Kengai (Ken gai ju kei) |
The "Cascade" bonsai style. This style resembles a waterfall
or cascade and simulates a tree
on the edge of a cliff subjected to violent winds. These tree have both an apex and crown on top and a
long flowing branch which descends below the base
of the trunk. One of the basic styles.
|
|
| Kuitsuki eda |
Short complementary branch, smaller than the rest of
the branches, gives the tree naturalism. (See also
Uke eda, Sashi
eda, Mae eda). |
|
| Kiki eda |
Point of tree to focus on. Can be the primer branch.
(See also Ushiro Eda, Uke
eda, Kuitsuki Eda,
Sashi eda, Mae
eda). |
|
| Literati Style |
See: Bunjin |
|
| Mae eda |
The "Front Branch" of a bonsai. Always positioned
upon the lower half of the tree. (See also Uke
eda, Sashi eda, Kuitsuki
eda, Ushiro Eda). |
|
| Mame |
The smallest sized bonsai, generally up to 4 or 5 inches
in height. |
|
| Mei boku (Rou boku) |
A very old and elegant bonsai. |
|
| Miki |
Japanese term for "trunk". |
|
| Minomo |
Japanese term for trees which are known primarily for
bearing fruit or berries. Trees include Pyracantha,
Cotoneaster, and Pomegranate. |
|
| Moyogi |
The
"Informal Upright" bonsai style. Similar to the
formal upright style, but the trunk curves and twists
through its taper up to and sometimes through the
branches. Branch placement is often on the outside
of the curves; and the top of the trunk, instead
of growing straight, bends slightly to the front.
One of the basic styles.
|
|
| Neagari (Ne-Agari) |
The "Exposed Root" bonsai style. Bonsai where the roots
are long and visible, found often on tropical and
subtropical bonsai. |
|
| Nebari |
The Japanese term referring to the spread rootage formation
at the base of a bonsai - the root crown. The exposed and visible
surface roots. |
|
| Nejikan |
The "Twisted trunk" bonsai style. |
|
| Ne
Tsunagari |
The "Connected root" bonsai style. |
|
| Ni no eda |
The second branch of a bonsai. |
|
| Omono |
The largest size of bonsai, with a maximum height of
roughly four feet. |
|
| Potensia |
Immature Bonsai material
or tree. Has the potential for forming into a true
Bonsai. |
|
| Sabamiki |
One of the "dead wood" techniques. The intention is to
give the tree an old and lightning damaged look. Most
seen on conifers. Sabamiki is the denomination for
hollow trunks. (See also Jin, Shari). |
|
| Saikei |
A group planting using trees as well as rocks, mosses
and other plants to create the appearance of a landscape. |
|
| Sankan |
The "triple trunk" bonsai style. |
|
| San no eda |
The third branch of a bonsai. |
|
| Sashi eda (Ishi no eda) |
Primer branch which marks direction and movement of the
tree. (See also Uke eda, Kuitsuki
eda, Mae eda, Ushiro
Eda). |
|
| Sekijoju |
The
"tree planted on rock" bonsai style. Tree is planted
on a well formed rock (simulating mountain, slope,
etc.). Tree which has roots arranged so they grow
over the rock and into the container. |
|
| Shakkan |
The "Slanting" bonsai style. Shakkan style can be considered
the intermediate stadium between the informal upright
and cascade styles
as the tree still grows up, but tends to slant over.
One of the basic styles. |
|
| Shari |
One
of the "dead wood" techniques, Shari refers to a place
on the tree where bark and cambium
have been stripped or peeled away, giving the tree
the appearance of age or exposure to harsh conditions
or severe weathering - such as a lightning damaged
look. Mostly seen on conifers.
In contrast to Jins, Shari is a dead part on the trunk.
Shari are preserved by coating them with a mixture
of lime sulfur
which will also turn them white, creating an appearance
of age. (See also Jin, Sabamiki).
|
|
| Sharimiki |
The "Driftwood" bonsai style. |
|
| Shidare-Zukuri |
The "Weeping branches" bonsai style. |
|
| Shin (Ten) |
Japanese term for the apex of the bonsai. The top point
of the tree.
Every tree must have an apex - a single point which
is clearly marked as the top of the tree. Considered
the most important feature of the tree; treatment
of the apex determines deftness of the bonsai artist.
It may be a branch, foliage, or jin. |
|
| Shohaku |
Japanese term to refer to conifers
and evergreens. Includes pines, junipers and larches. |
|
| Shohin |
Small bonsai, usually ranging in height from five to
ten inches. |
|
| Sokan (Sou kan) (Sojo) |
The "Twin trunk" bonsai style. Bonsai style in which
the tree has a double trunk which are joined at the
base of the tree. |
|
| Sui
ban |
A shallow tray with no drainage holes that is commonly
filled with either gravel or water and can house rock
plantings. |
|
| Suiseki |
Rocky landscape set up on sui ban.
Stones used in a
Bonsai display to represent large boulders or mountains. |
|
| Taka ue |
Planting the tree at a soil level that is higher than
the rim of the pot. |
|
| Tan gei |
Bonsai Material |
|
| Tankan |
The "Single trunk" bonsai style. |
|
| Tokonoma |
A specific area in
a house where Bonsai are displayed. |
|
| Tsukami yose |
Clustered bonsai style. Many seedlings placed with roots
intertwined which will fuse together and appear as
a single multi-trunk tree or group. |
|
| Uke eda |
Counterweight to Sashi eda branch
placed at opposite side of the tree. Gives the tree
its balance. (See also Sashi eda,
Kuitsuki eda, Mae
eda). |
|
| Ushiro eda |
The back branch of a bonsai. It's purpose is to improve
the perspective of the tree. (See also Uke
eda, Sashi eda, Kuitsuki
eda, Mae eda). |
|
| Wabi Sabi |
The
terms wabi and sabi are terms related to the Japanese
sense of shibui, the aesthetic of tastefulness
and austerity in art and movement. Wabi is the idea
of beauty in the plain, natural and healthy aspect
of form. An appreciation of both the humble and the
reserved. It is also an appreciation of the ways in
which humans can achieve perfection as well. Sabi
is the sense of beauty that comes from great age,
including things like wear, rust, patina and even
decay. It is the sense of natural beauty achieved
not by man, but by nature exerting her influence on
the world.
Wabi Sabi refers to
the balance and appreciation of both aspects of
the world, the role of the human and nature. Accordingly,
it is an ideal philosophy for bonsai, combining
the human aspect of training (represented by the
pot) with the natural aspect of the tree.
More Information
|
|
| Yose Uye |
The "Wood or Group/Forest" bonsai style. Bonsai planted in the style of a forest
or "wood". Group planting composition style.
|
|
| Yamadori mono |
Trees collected from
the wild which are developed into Bonsai. |
|
| Za |
Seat or base. Artistic
presentation of base of the tree and nebari. |
|
| Zouki |
Japanese term for deciduous plants, such as maples and
birch. These trees typically have leaves which change
colors seasonally and have fine branching. |
